“Through these travels and the photographs, I got to love the United States more than I could have in any other way.” — Jack Delano
Amid the ravages of the Great Depression, the United States Farm Security Administration (FSA) was first founded in 1935 to address the country’s rural poverty. Its efforts focused on improving the lives of sharecroppers, tenants, and very poor landowning farmers, with resettlement and collectivization programs, as well as modernized farming methods. In a parallel documentation program, the FSA hired a number of photographers and writers to record the lives of the rural poor and “introduce America to Americans.”
This book records the full reach of the FSA program from 1935 to 1943, honoring its vigor and commitment across subjects, states, and stylistic preferences. The photographs are arranged into four broad regional sections but otherwise allowed to speak for themselves—to provide individual impressions as much as they cumulatively build an indelible survey of a nation.
The images are both color and black-and-white, and span the complete spetrum of American rural life. They show us convicts, cotton workers, kids, and relocated workers on the road. We see subjects victim to the elements of nature as much as to the vagaries of the global economic market. We find the work of such perceptive, sensitive photographers as Marion Post Wolcott, Jack Delano, Russell Lee, Walker Evans, Ben Shahn, and Dorothea Lange, and read their own testimonies to the FSA project and their encounters with their subjects, including Lange’s worn, weather-beaten and iconic Migrant Mother.
What unites all of the pictures is a commitment to the individuality and dignity of each subject, as much as to the witness they bear to this particular period of the American past. The subjects are entrenched in the hardships of their historical lot as much as they are caught in universal cycles of growing, playing, eating, aging, and dying. Yet they face the viewer with what is utterly their own: a unique, irreplaceable, often unforgettable presence.
『Taschen Compact』 시리즈의 특징
합리적인 가격으로 다방면의 주제를 아우르는 문화적 동반자인 TASCHEN Compact 시리즈！
1980년 문화 고고학자들과 함께 작업하기 시작한 이래로, TASCHEN 브랜드는 접근 가능한, 열린 시각의 출판을 지향하고 있다. Bibliotheca Universalis 시리즈는 약 100가지의 이 시대 가장 사랑받는 타이틀로 깔끔한 판형을 갖추고 있어 미술, 인류학과 성에 관련한 당신만의 소중한 서재를 만들 수 있다.
결코 지루하지 않으며 언제나 즐거운, 독서를 좋아하는 이들에게 기쁨이 될 것이다!
Amid the ravages of the Great Depression, the United States Farm Security Administration (FSA) was first founded in 1935 to address the country’s rural poverty. Its efforts focused on improving the lives of sharecroppers, tenants, and very poor landowning farmers, with resettlement and collectivization programs, as well as modernized farming methods. In a parallel documentation program, the FSA hired a number of photographers and writers to record the lives of the rural poor and “introduce America to Americans.”
This book records the full reach of the FSA program from 1935 to 1943, honoring its vigor and commitment across subjects, states, and stylistic preferences. The photographs are arranged into four broad regional sections but otherwise allowed to speak for themselves—to provide individual impressions as much as they cumulatively build an indelible survey of a nation.
The images are both color and black-and-white, and span the complete spetrum of American rural life. They show us convicts, cotton workers, kids, and relocated workers on the road. We see subjects victim to the elements of nature as much as to the vagaries of the global economic market. We find the work of such perceptive, sensitive photographers as Marion Post Wolcott, Jack Delano, Russell Lee, Walker Evans, Ben Shahn, and Dorothea Lange, and read their own testimonies to the FSA project and their encounters with their subjects, including Lange’s worn, weather-beaten and iconic Migrant Mother.
What unites all of the pictures is a commitment to the individuality and dignity of each subject, as much as to the witness they bear to this particular period of the American past. The subjects are entrenched in the hardships of their historical lot as much as they are caught in universal cycles of growing, playing, eating, aging, and dying. Yet they face the viewer with what is utterly their own: a unique, irreplaceable, often unforgettable presence.
『Taschen Compact』 시리즈의 특징
합리적인 가격으로 다방면의 주제를 아우르는 문화적 동반자인 TASCHEN Compact 시리즈！
1980년 문화 고고학자들과 함께 작업하기 시작한 이래로, TASCHEN 브랜드는 접근 가능한, 열린 시각의 출판을 지향하고 있다. Bibliotheca Universalis 시리즈는 약 100가지의 이 시대 가장 사랑받는 타이틀로 깔끔한 판형을 갖추고 있어 미술, 인류학과 성에 관련한 당신만의 소중한 서재를 만들 수 있다.
결코 지루하지 않으며 언제나 즐거운, 독서를 좋아하는 이들에게 기쁨이 될 것이다!
The author:
Peter Walther는 괴테, 폰타네, 토마스 만, 그리고 1차 세계대전 당시의 문인들을 포함한 문학, 사진, 근대 역사를 주제로 한 다양한 출판물들과 역사를 기록한 컬러 사진들이 담긴 여러 사진집들을 편집했다. 그는 또한 다양한 전시를 기획한 바 있다. 특히 초기 컬러 사진 기술에 관심을 가지고 있다.
Peter Walther는 괴테, 폰타네, 토마스 만, 그리고 1차 세계대전 당시의 문인들을 포함한 문학, 사진, 근대 역사를 주제로 한 다양한 출판물들과 역사를 기록한 컬러 사진들이 담긴 여러 사진집들을 편집했다. 그는 또한 다양한 전시를 기획한 바 있다. 특히 초기 컬러 사진 기술에 관심을 가지고 있다.
