Santiago Calatrava'ÀÇ °ÇÃà, ¿¹¼ú°ú ¿£Áö´Ï¾î¸µÀÌ ¾î¿ì·¯Áø ¾Æ¸§´Ù¿î À¶ÇÕ
(1979³âºÎÅÍ 2007ÀÇ ¿Ï¼ºÀÛǰ)
Santiago Calatrava´Â ¼¼°è¿¡¼ °¡Àå ´«¿¡ ¶ç´Â °ÇÃà°¡ÀÏ »Ó¸¸ ¾Æ´Ï¶ó ¿£Áö´Ï¾îÀÌÀÚ ¿¹¼ú°¡ÀÌ´Ù. ±×´Â 2004³â ¾ÆÅ×³× ¿Ã¸²ÇÈ ¿îµ¿Àå°ú º§±â¿¡ÀÇ Liège¿¡ ÀÖ´Â »õ ±âÂþ±æ µîÀÇ ÃÖ±Ù ÀÛǰÀ¸·Î À¯·´¿¡¼ ºÎÁ¤ÇÒ ¼ö ¾øÀ» Á¤µµ·Î À¯¸íÇÑ »ç¶÷ÀÇ °æÁö¿¡ µµ´ÞÇßÀ¸¸ç ´õ ³ªÀº °æÁö¸¦ ÇâÇØ °è¼Ó ³ª¾Æ°¬´Ù. ´º¿å¿¡ ÀÖ´Â ±Ù´ë ¹Ì¼ú°ü°ú ¸ÞÆ®·ÎÆú¸®Åº ¹Ì¼ú°ü µÎ °÷¿¡¼ ÀÛǰÀÌ Àü½ÃµÈ À¯ÀÏÇÑ °ÇÃà°¡·Î¼, ±×´Â ÇöÀç ¹Ì±¹ ¸ÇÇÏź¿¡¼ ¡®±×¶ó¿îµå Á¦·Î¡¯¸¦ À§ÇØ transportation hub¸¦ °Ç¼³Çϰí ÀÖ´Ù. 2005³â ¹Ì±¹ °ÇÃàÇа迡¼ ±Ý¸Þ´ÞÀ» ¹ÞÀº Calatrava´Â »ýÁ¸ÇÏ´Â °ÇÃà°¡ Áß °¡Àå ÈǸ¢Çϰí Çõ½ÅÀûÀÎ »ç¶÷ Áß Çϳª´Ù. ±×´Â Philip Jodidio¿Í ±×ÀÇ °æ·ÂÀ» ȸ°íÇÏ´Â ÀÌ ³í¹®À» À§ÇØ ÇÔ²² ³ë·ÂÇß´Ù. ½ºÀ§½º¿¬¹æ°ø´ëÀÇ ¼ö¿µÀå¿¡¼ºÎÅÍ ±ô¦ ³î¶ö¸¸ÇÑ ÃÖ±Ù µðÀÚÀο¡ À̸£±â±îÁö, CalatravaÀÇ ¸ðµç ÀÛǰ µµÆÇÀÌ Ç³ºÎÇÏ°Ô »ðÀÔµÈ °ÍÀÌ ÀÌ Ã¥ÀÇ Æ¯Â¡ÀÌ´Ù. Santiago Calatrava´Â ÀÌ Ã¥ÀÇ Á¢¾î ³ÖÀº ÆäÀÌÁö¸¦ À§ÇØ Æ¯º°È÷ ¼öÃ¤È µå·ÎÀ×À» ±×·Á ³Ö¾ú´Ù.

(1979³âºÎÅÍ 2007ÀÇ ¿Ï¼ºÀÛǰ)
Santiago Calatrava´Â ¼¼°è¿¡¼ °¡Àå ´«¿¡ ¶ç´Â °ÇÃà°¡ÀÏ »Ó¸¸ ¾Æ´Ï¶ó ¿£Áö´Ï¾îÀÌÀÚ ¿¹¼ú°¡ÀÌ´Ù. ±×´Â 2004³â ¾ÆÅ×³× ¿Ã¸²ÇÈ ¿îµ¿Àå°ú º§±â¿¡ÀÇ Liège¿¡ ÀÖ´Â »õ ±âÂþ±æ µîÀÇ ÃÖ±Ù ÀÛǰÀ¸·Î À¯·´¿¡¼ ºÎÁ¤ÇÒ ¼ö ¾øÀ» Á¤µµ·Î À¯¸íÇÑ »ç¶÷ÀÇ °æÁö¿¡ µµ´ÞÇßÀ¸¸ç ´õ ³ªÀº °æÁö¸¦ ÇâÇØ °è¼Ó ³ª¾Æ°¬´Ù. ´º¿å¿¡ ÀÖ´Â ±Ù´ë ¹Ì¼ú°ü°ú ¸ÞÆ®·ÎÆú¸®Åº ¹Ì¼ú°ü µÎ °÷¿¡¼ ÀÛǰÀÌ Àü½ÃµÈ À¯ÀÏÇÑ °ÇÃà°¡·Î¼, ±×´Â ÇöÀç ¹Ì±¹ ¸ÇÇÏź¿¡¼ ¡®±×¶ó¿îµå Á¦·Î¡¯¸¦ À§ÇØ transportation hub¸¦ °Ç¼³Çϰí ÀÖ´Ù. 2005³â ¹Ì±¹ °ÇÃàÇа迡¼ ±Ý¸Þ´ÞÀ» ¹ÞÀº Calatrava´Â »ýÁ¸ÇÏ´Â °ÇÃà°¡ Áß °¡Àå ÈǸ¢Çϰí Çõ½ÅÀûÀÎ »ç¶÷ Áß Çϳª´Ù. ±×´Â Philip Jodidio¿Í ±×ÀÇ °æ·ÂÀ» ȸ°íÇÏ´Â ÀÌ ³í¹®À» À§ÇØ ÇÔ²² ³ë·ÂÇß´Ù. ½ºÀ§½º¿¬¹æ°ø´ëÀÇ ¼ö¿µÀå¿¡¼ºÎÅÍ ±ô¦ ³î¶ö¸¸ÇÑ ÃÖ±Ù µðÀÚÀο¡ À̸£±â±îÁö, CalatravaÀÇ ¸ðµç ÀÛǰ µµÆÇÀÌ Ç³ºÎÇÏ°Ô »ðÀÔµÈ °ÍÀÌ ÀÌ Ã¥ÀÇ Æ¯Â¡ÀÌ´Ù. Santiago Calatrava´Â ÀÌ Ã¥ÀÇ Á¢¾î ³ÖÀº ÆäÀÌÁö¸¦ À§ÇØ Æ¯º°È÷ ¼öÃ¤È µå·ÎÀ×À» ±×·Á ³Ö¾ú´Ù.




About the author:
Philip Jodidio studied art history and economics at Harvard University, and was editor-in-chief of the leading French art journal Connaissance des Arts for over two decades. He has published numerous articles and books on contemporary architecture, including TASCHEN's Architecture Now! series, Building a New Millennium, and monographs on Tadao Ando, Renzo Piano, Norman Foster, Richard Meier, and Álvaro Siza.
Philip Jodidio studied art history and economics at Harvard University, and was editor-in-chief of the leading French art journal Connaissance des Arts for over two decades. He has published numerous articles and books on contemporary architecture, including TASCHEN's Architecture Now! series, Building a New Millennium, and monographs on Tadao Ando, Renzo Piano, Norman Foster, Richard Meier, and Álvaro Siza.
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