When is a urinal no longer a urinal? When Marcel Duchamp (1887–1968) declared it to be art. The uproar that greeted the French artist¡¯s Fountain (1917), a porcelain urinal installed in a gallery, sent shock waves through the art world establishment that reverberate right through to today.
This essential introduction distills all the daring and the scandal of Duchamp¡¯s practice into one essential overview not only of a pioneering creative but also of a critical moment in Western culture. From his groundbreaking blend of abstraction, Cubism, and Futurism in Nude Descending a Staircase (1912) to his forays into the now-iconic ¡°readymades¡± such as Bicycle Wheel (1913) and Bottle Rack (1914) we explore how Duchamp consistently challenged the notion of what art is and, in so doing, opened up a world of conceptual possibilities beyond the ¡°retinal¡± experience.
Basic Art ½Ã¸®ÁîÀÇ Æ¯Â¡
¹®ÈÀû¡¤¿ª»çÀû Á߿伺À» ¾Æ¿ì¸£´Â ÀÛ°¡ÀÇ »î°ú ÀÛǰ¿¡ °üÇÑ »ó¼¼ÇÑ ¿¬´ë±âº° ¿ä¾à¼
°£°áÇÑ ÀÏ´ë±â ¼Ò°³
¼³¸íÀÌ Ã·ºÎµÈ 100Á¡ÀÇ Ä÷¯ µµÆÇ
This essential introduction distills all the daring and the scandal of Duchamp¡¯s practice into one essential overview not only of a pioneering creative but also of a critical moment in Western culture. From his groundbreaking blend of abstraction, Cubism, and Futurism in Nude Descending a Staircase (1912) to his forays into the now-iconic ¡°readymades¡± such as Bicycle Wheel (1913) and Bottle Rack (1914) we explore how Duchamp consistently challenged the notion of what art is and, in so doing, opened up a world of conceptual possibilities beyond the ¡°retinal¡± experience.
Basic Art ½Ã¸®ÁîÀÇ Æ¯Â¡






Janis Mink´Â ½º¹Ì½º ´ëÇп¡¼ ¹Ì¼ú»ç¸¦ °øºÎÇßÀ¸¸ç, ÇԺθ£Å©¿¡¼ Martin Wrnkex¸¦ »ç»çÇÏ°í ¹Ú»ç ÇÐÀ§¸¦ ¹Þ¾Ò´Ù. ÇöÀç ÀÛ°¡¿Í Å¥·¹ÀÌÅͷΠȰµ¿ ÁßÀÌ´Ù.