Ŭ·Îµå ¸ð³×(1840-1926)´Â °¡Àå ÀüÇüÀûÀÌ¸ç °¡Àå °³ÀÎÀûÀÎ ÀλóÁÖÀÇ È°¡ÀÌ´Ù. ±×ÀÇ ¿À·£ »ý¾Ö¿Í µ¶Æ¯ÇÑ ÀÛǰÀº Çö½Ç, ƯÈ÷ Àü°æ¿¡¼ Àΰ£ÀÇ ´«À» Á¦½ÃÇÏ´Â ±×¸²ÀÇ Å½±¸¿Í ¼¾¼¼À̼ÇÀ¸·Î Á¡Ã¶µÈ´Ù. ¸ð³×ÀÇ Æ÷Ç÷¯, ¤´õ¹Ì, ·ç¾Ó ´ë¼º´ç, ¼ö¼ö·Ã µîÀº ÀλóÁÖÀÇ Áß °¡Àå »ç¶û ¹Þ´Â ÀÛǰÀ̸ç ÇöÀçµµ À̾îÁö°í ÀÖÀ¸¸ç ¸ð´ø ¾ÆÆ®¿¡ Å« ¿µÇâÀ» ÁÖ¾ú´Ù.
The author:
Karin Sagner-Duchting studied art history, new German literature, and classical archaeology at Munich University. She received her doctorate in 1983 with a thesis on Claude Monet¡¯s water lily paintings and was academic assistant at the Bayerische Staatsgemaldesammlungen until 1988. Based in Munich, she researches and publishes in the field of 19th-century art.
Karin Sagner-Duchting studied art history, new German literature, and classical archaeology at Munich University. She received her doctorate in 1983 with a thesis on Claude Monet¡¯s water lily paintings and was academic assistant at the Bayerische Staatsgemaldesammlungen until 1988. Based in Munich, she researches and publishes in the field of 19th-century art.
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