¼öÁý°¡¿ë ÀçÁî¶óÀÌÇÁ Ä÷º¼Ç.
ÀÚÇÊ ¼¸í°ú ÀÏ·Ã ¹øÈ£°¡ ¸Å°ÜÁø 1°³ ÇÑÁ¤ÆÇ.
°¢±â 4°³ÀÇ ¼¸íÀÌ µÇ¾î ÀÖÀ¸¸ç, ¹øÈ£°¡ ¸Å°ÜÁ® ÀÖ°í, 50 x 60 cm (19.6 x 23.6 in) ¿ïÆ®¶óÅ©·Ò Àμâ󸮰¡ µÇ¾î ÀÖ´Ù.
õ ÀçÁú Ä¿¹ö ¹Ú½º¿¡ Ã¥°ú Àμ⹰ÀÌ µé¾î ÀÖ´Ù
¼ö·ÏµÇ¾î ÀÖ´Â ³»¿ë:
- Àª¸®¾ö Ŭ·¢½¼, ÀçÁî ¶óÀÌÇÁ: ÇÁ¸°Æ® 1
1960³â ´º¿å½Ã ŸÀÓ½ºÄù¾î ÀαÙÀÇ ºê·Îµå¿þÀÌÀÇ ¸ÞÆ®·ÎÆú ±îÆä
- Àª¸®¾ö Ŭ·¢½¼, ÀçÁî ¶óÀÌÇÁ: ÇÁ¸°Æ® 2
1956³â Çæ¸®¿ìµå ÄÚ½º¸ð ¾Ù¸®(Cosmo Alley) ½ºÅ×ÀÌÁöÀÇ ½ºÅÄ °ÙÃ÷(Stan Getz)
- Àª¸®¾ö Ŭ·¢½¼, ÀçÁî ¶óÀÌÇÁ: ÇÁ¸°Æ® 3
1960³â ´º¿Ã¸®¾ðÁî Á¶Áö Àª¸®¾ö ºê·¡½º ¹êµå (George Williams Brass Band)
- Àª¸®¾ö Ŭ·¢½¼, ÀçÁî ¶óÀÌÇÁ: ÇÁ¸°Æ® 4
1960³â ´º¿å½Ã¿¡¼ ·¹ÀÌ·¹Æ®(Raylette)¿Í ·¹ÀÌ Âû½º(Ray Charles)
1960³â »çÁøÀÛ°¡ÀÎ Àª¸®¾ö Ŭ·¢½¼°ú À¯¸íÇÑ µ¶ÀÏ À½¾ÇÇÐÀÚÀÎ ¿äÇÏÅ´ º£·»Æ®´Â ÀçÁî À½¾ÇÀÇ Áß½ÉÁöÀÎ ¹Ì±¹À» ¿©ÇàÇß´Ù. ±×µéÀº ÈûÀ» ÇÕÃÄ Àß ¾Ë·ÁÁöÁö ¾ÊÀº °Å¸®ÀÇ À½¾Ç°¡¿Í Àü¼³ÀûÀÎ ¾ÆÆ¼½ºÆ®µé¿¡ °üÇÑ »çÁø°ú ±â·Ï µî ³î¶ó¿î Ä÷º¼ÇÀ» ¸¸µé¾î ³Â´Ù. ÀÌ Ã¥ ¡®ÀçÁî¶óÀÌÇÁ¡¯´Â ±×µéÀÇ ³ë·ÂÀÇ Ã¹ °á°ú¹°À̸ç, ÀçÁî¿Í »çÁøÀ» »ç¶ûÇÏ´Â »ç¶÷µé¿¡°Ô ÀÖ¾î º¸¼®°ú °°Àº °¡Ä¡°¡ ÀÖ´Â °ÍÀÌ µÇ¾ú´Ù. 2003³â Ÿ¼Ï¿¡¼´Â ±×µéÀÌ ¿©Çà Áß¿¡ ÂïÀº »çÁø Áß¿¡¼ °ø°³µÇÁö ¾ÊÀº ¼ö ¸¹Àº »çÁøµé°ú Áß¿äÇÑ ÀڷḦ ´Ù½Ã ¸ðÀ¸±â ½ÃÀÛÇß´Ù. »õ·Î¿î »çÁøµéÀÌ Ãß°¡µÈ ÀÌ Ã¥¿¡´Â º£·»Æ®¿ÍÀÇ ¿©Çâ°ú ±×°¡ ÀçÁî À½¾Ç°ú »ç¶û¿¡ ºüÁø ÀüüÀûÀÎ À̾߱⠵îÀ» ȸ°íÇÏ´Â ¼¹®ÀÌ Æ÷ÇԵǾî ÀÖ´Ù. ¿À´Ã³¯ÀÇ µðÁöÅÐ ±â¼ú ´öºÐ¿¡, ¿äÇÏÅ´ º£·»Æ®ÀÇ ¿À¸®Áö³Î ³ìÀ½ºÐÀ» Àç»ýÇÑ ¿Àµð¿À CD¸¦ Á¦ÀÛÇÏ°Ô µÇ¾úÀ¸¸ç, ÀÌ CD´Â ÆÐŰÁö¿¡ Æ÷ÇԵǾî ÀÖ´Ù. ÀçÁ »ç¶ûÇÏ´Â »ç¶÷µéÀº ½Ã°£À» °Å½½·¯ ÀçÁî ¿©ÇàÀ» Çϰí, Ŭ·¢½¼°ú º£·»Æ®°¡ Á¢Çß´ø À½¾ÇÀ» º¸°í µéÀ» ¼ö ÀÖ°Ô µÈ °ÍÀ» ±â»µÇÒ °ÍÀÌ´Ù.



¼ö·ÏµÇ¾î ÀÖ´Â ³»¿ë:
- Àª¸®¾ö Ŭ·¢½¼, ÀçÁî ¶óÀÌÇÁ: ÇÁ¸°Æ® 1
1960³â ´º¿å½Ã ŸÀÓ½ºÄù¾î ÀαÙÀÇ ºê·Îµå¿þÀÌÀÇ ¸ÞÆ®·ÎÆú ±îÆä
- Àª¸®¾ö Ŭ·¢½¼, ÀçÁî ¶óÀÌÇÁ: ÇÁ¸°Æ® 2
1956³â Çæ¸®¿ìµå ÄÚ½º¸ð ¾Ù¸®(Cosmo Alley) ½ºÅ×ÀÌÁöÀÇ ½ºÅÄ °ÙÃ÷(Stan Getz)
- Àª¸®¾ö Ŭ·¢½¼, ÀçÁî ¶óÀÌÇÁ: ÇÁ¸°Æ® 3
1960³â ´º¿Ã¸®¾ðÁî Á¶Áö Àª¸®¾ö ºê·¡½º ¹êµå (George Williams Brass Band)
- Àª¸®¾ö Ŭ·¢½¼, ÀçÁî ¶óÀÌÇÁ: ÇÁ¸°Æ® 4
1960³â ´º¿å½Ã¿¡¼ ·¹ÀÌ·¹Æ®(Raylette)¿Í ·¹ÀÌ Âû½º(Ray Charles)
1960³â »çÁøÀÛ°¡ÀÎ Àª¸®¾ö Ŭ·¢½¼°ú À¯¸íÇÑ µ¶ÀÏ À½¾ÇÇÐÀÚÀÎ ¿äÇÏÅ´ º£·»Æ®´Â ÀçÁî À½¾ÇÀÇ Áß½ÉÁöÀÎ ¹Ì±¹À» ¿©ÇàÇß´Ù. ±×µéÀº ÈûÀ» ÇÕÃÄ Àß ¾Ë·ÁÁöÁö ¾ÊÀº °Å¸®ÀÇ À½¾Ç°¡¿Í Àü¼³ÀûÀÎ ¾ÆÆ¼½ºÆ®µé¿¡ °üÇÑ »çÁø°ú ±â·Ï µî ³î¶ó¿î Ä÷º¼ÇÀ» ¸¸µé¾î ³Â´Ù. ÀÌ Ã¥ ¡®ÀçÁî¶óÀÌÇÁ¡¯´Â ±×µéÀÇ ³ë·ÂÀÇ Ã¹ °á°ú¹°À̸ç, ÀçÁî¿Í »çÁøÀ» »ç¶ûÇÏ´Â »ç¶÷µé¿¡°Ô ÀÖ¾î º¸¼®°ú °°Àº °¡Ä¡°¡ ÀÖ´Â °ÍÀÌ µÇ¾ú´Ù. 2003³â Ÿ¼Ï¿¡¼´Â ±×µéÀÌ ¿©Çà Áß¿¡ ÂïÀº »çÁø Áß¿¡¼ °ø°³µÇÁö ¾ÊÀº ¼ö ¸¹Àº »çÁøµé°ú Áß¿äÇÑ ÀڷḦ ´Ù½Ã ¸ðÀ¸±â ½ÃÀÛÇß´Ù. »õ·Î¿î »çÁøµéÀÌ Ãß°¡µÈ ÀÌ Ã¥¿¡´Â º£·»Æ®¿ÍÀÇ ¿©Çâ°ú ±×°¡ ÀçÁî À½¾Ç°ú »ç¶û¿¡ ºüÁø ÀüüÀûÀÎ À̾߱⠵îÀ» ȸ°íÇÏ´Â ¼¹®ÀÌ Æ÷ÇԵǾî ÀÖ´Ù. ¿À´Ã³¯ÀÇ µðÁöÅÐ ±â¼ú ´öºÐ¿¡, ¿äÇÏÅ´ º£·»Æ®ÀÇ ¿À¸®Áö³Î ³ìÀ½ºÐÀ» Àç»ýÇÑ ¿Àµð¿À CD¸¦ Á¦ÀÛÇÏ°Ô µÇ¾úÀ¸¸ç, ÀÌ CD´Â ÆÐŰÁö¿¡ Æ÷ÇԵǾî ÀÖ´Ù. ÀçÁ »ç¶ûÇÏ´Â »ç¶÷µéÀº ½Ã°£À» °Å½½·¯ ÀçÁî ¿©ÇàÀ» Çϰí, Ŭ·¢½¼°ú º£·»Æ®°¡ Á¢Çß´ø À½¾ÇÀ» º¸°í µéÀ» ¼ö ÀÖ°Ô µÈ °ÍÀ» ±â»µÇÒ °ÍÀÌ´Ù.
- Charlie Parker, Count Basie, Duke Ellington, Muddy Waters, Gabor Szabo, Dave Brubeck, Stan Getz, Billie Holiday, Ella Fitzgerald, Miles Davis, Charlie Mingus, Thelonious Monk, John Coltrane, ±× ÀÌÀÇ ´Ù¼öÀÇ »çÁøÀÌ ½Ç·Á ÀÖ´Ù.
- º£·»Æ®¿Í Ŭ·¢½¼ÀÌ ¿©Çà Áß¿¡ ³ìÀ½ÇÑ À½¾ÇÀ» µðÁöÅÐÀûÀ¸·Î ¸®¸¶½ºÅÍÇÑ º¸³Ê½º CD°¡ Æ÷ÇԵǾî ÀÖ´Ù. (1960³â ´ç½Ã 2°³ÀÇ CD·Î Ãâ½ÃµÇ¾ú´Ù)












The photographer: William Claxton holds a special place in the history of American - particularly jazz - photography. Since his early career - shooting for LIFE, Paris Match, and Vogue, among other magazines - Claxton has worked with and become friends with many Hollywood luminaries and jazz musicians, most notably Steve McQueen and Chet Baker (whom Claxton first photographed in 1952 when Baker was young and still unknown). Claxton, whose jazz imagery has graced the covers of countless albums and magazine covers for over five decades, is considered the preeminent photographer of jazz music. TASCHEN has also published Claxton's Jazz seen and Steve McQueen.
The author: In Germany, Joachim E. Berendt was called the "jazz pope", and indeed he was the most influential non-musician in the German jazz scene for more than 50 years. He was founding member of South West German Radio (Südwestfunk) and produced more than 250 records, including many issued on the MPS-SABA label. In 1953, he first published The Jazzbuch, which became the most successful history book on jazz worldwide. His collection of records, books and jazz documents became the basis for the Jazzinstitut Darmstadt before he died in an accident in 2000. His contributions to jazz are internationally recognized to this day.
The author: In Germany, Joachim E. Berendt was called the "jazz pope", and indeed he was the most influential non-musician in the German jazz scene for more than 50 years. He was founding member of South West German Radio (Südwestfunk) and produced more than 250 records, including many issued on the MPS-SABA label. In 1953, he first published The Jazzbuch, which became the most successful history book on jazz worldwide. His collection of records, books and jazz documents became the basis for the Jazzinstitut Darmstadt before he died in an accident in 2000. His contributions to jazz are internationally recognized to this day.